Taking the novel We, the Drowned by the Danish author Carsten Jensen as a compass and source of inspiration, we roam across space and time. We sail the seven seas and move back and forth between myth and reality, between love for the sea and love for humankind, between drifting sailing ships and sinking warships.
More LessWe look through the eyes of shipowner Albert Madsen at a world that is set on a collision course and we recognize our own world in it. We fear Herman, the seagull killer, who lurks deeper within ourselves than we are willing to admit. Surprised, we look on when the widow Klara Friis takes over the helm in Marstal, while her son, the young captain Friis, goes to war, naked.
We, the Drowned is raw, poetic and inspired musical theatre.
Duration of the performance: 90 minutes
concept & direction | Judith Vindevogel |
Peter Spaepen | |
from & with | Sam Bogaerts, Saïd Boumazoughe, Stefaan Degand, Stef Depover, Pieter de Praetere, Pieter-Jan De Wyngaert, Enrique Noviello, Ana Naqe, Jago Moons, Peter Spaepen, Matthias Van de Brul & Sarah Yu Zeebroek |
music | BOT & Peter Spaepen |
scenography | Stef Depover & Doan Hendriks |
costume designer | Johanna Trudzinski i.c.w. Chaja Dams |
instrument builders | Doan Hendriks & Geert Jonkers |
choreography | Haider Al Timimi |
sound | Stef van Alsenoy |
dramaturgy | Kleo Van Ostade & Orlando Verde |
lights | Bert Vermeulen |
tecnical genius | Guy Van den Bril |
image advice | Thijs Paijmans |
translation | Veronika Iltchenko (Russian) & Birthe Lundsgaard (Danish) |
language coach | Alisa Nadezhkina (Russian); Christina Davidsen & Louise Kaare Jocobsen (Danish) |
production management | Judith Vindevogel |
production | WALPURGIS |
business leader | BOT, Kloppend Hert & Het Laatste Bedrijf |
with the support of | the Tax Shelter measure of the Belgian Federal Government (a.k.a. "Gallop Tax Shelter"), The Flemisch Government, Metropolis - Københavns Internationale Teater, BaggårdTeatret, Marstal Søfartsmuseum, Fonds Podiumkunsten & deAuteurs |
thanks to | Karsten Hermansen, kleinVerhaal, Divi Divi, Academie voor Muziek, Woord en Dans Mortsel-Kontich & Rooftoptiger |
Judith Vindevogel
Peter Spaepen
Sam Bogaerts, Saïd Boumazoughe, Stefaan Degand, Stef Depover, Pieter de Praetere, Pieter-Jan De Wyngaert, Enrique Noviello, Ana Naqe, Jago Moons, Peter Spaepen, Matthias Van de Brul & Sarah Yu Zeebroek
BOT & Peter Spaepen
Stef Depover & Doan Hendriks
Johanna Trudzinski i.c.w. Chaja Dams
Doan Hendriks & Geert Jonkers
Haider Al Timimi
Stef van Alsenoy
Kleo Van Ostade & Orlando Verde
Bert Vermeulen
Guy Van den Bril
Thijs Paijmans
Veronika Iltchenko (Russian) & Birthe Lundsgaard (Danish)
Alisa Nadezhkina (Russian); Christina Davidsen & Louise Kaare Jocobsen (Danish)
Judith Vindevogel
WALPURGIS
BOT, Kloppend Hert & Het Laatste Bedrijf
the Tax Shelter measure of the Belgian Federal Government (a.k.a. "Gallop Tax Shelter"), The Flemisch Government, Metropolis - Københavns Internationale Teater, BaggårdTeatret, Marstal Søfartsmuseum, Fonds Podiumkunsten & deAuteurs
Karsten Hermansen, kleinVerhaal, Divi Divi, Academie voor Muziek, Woord en Dans Mortsel-Kontich & Rooftoptiger
Carsten Jensens speech after the Danish première
“Somehow, I ended up seeing my own novel clearer than I have ever seen it. I somehow felt that you really grasped the essence of it. A strong, daring and for me enlightening interpretation of my own work… Thank you for an amazing, unforgettable evening.”
Reviews
***** “We, the drowned’ by Carsten Jensen is a triumph of a theatre-piece (…) a musical powerhouse, full of vigorously compressed images and people who are marked by life. (…) you get the feeling of having lived through something very special – not only because of the vulnerability and the human power that speaks in the story but because of the project in itself.”
Politiken (DK), Monna Dithmer
***** “Moving music-theatre based on a book by Carsten Jensen, but without sentimentality or submissive Couleur Locale. (…) Reality and theatre merge in a brilliant way.”
Kulturkupeen (DK), Ulla
**** “The staging is enticing, clever and quite abstract. (…) The set is in constant movement, like the sea, a wooden floor that is taken apart over and over to become the set again in another formation. (…) It’s a story with multiple layers (…) the musical aspect of the performance is unprecedented and supports the story in a very expressive way.”
Iscene (DK), Rie Hammer
***** “We, the drowned’ is like a dream, where the focus constantly moves. As if you are on a ship and the steering wheel is leading it’s own life, while steering us from one magical experience into the next.”
Fyens (DK), Anette Hyllested
**** “The gorgeous singing voices and the chaotic sound-imagery go straight to the heart.”
Jyllands-Posten (DK), Morten Hede
***** “A grand performance. (…) Judith Vindevogel has succeeded in turning the epic novel ‘We, the drowned’ by Carsten Jensen into a 90-minute musical drama about the sea and the war, togetherness and absence, the alive and the dead. When the young captain Knud Erik has to make the decision to save the large number of drowning castaways or not, the link with the current dilemmas and problems around refugees is quickly made.”
Sceneblog (DK)